Microfiche N Alphabetical List

N70 .H36 1991 Hansen, Evan Drew.
Does art have an essence? [microform]: Danto vs. Wittgenstein on art, language and philosophy
UMI Ann Arbor, MI. 1991
N72.A56 K56 1990 King, Sharon Minor.
An anthropological framework for interpreting contemporary artists from diverse cultures [microform].
UMI Ann Arbor, MI. 1990
N72.F45 G37 1990 Garber, Elizabeth Jessie.
Feminist polyphony [microform]: a conceptual understanding of feminist art criticism in the 1980s
UMI Ann Arbor, MI. 1990
N72.P6 H36 1991 Hanzal, Carla M.
The fusion of art and politics [microform]: events shaping the public- private venture to take American art abroad
UMI Ann Arbor, MI 1991
N72.R4 H39 1991 Haynes, Deborah Jean.
Creativity and answerability [microform]: a critical theology of the arts.
UMI Ann Arbor, MI 1991
N85 .A77 1990 Arrance, Susan Judith.
Discipline-based art education [microform]: curriculum planning for development of intellect
UMI Ann Arbor, MI 1990
N332.G33 W48 1980 Nierendorf, Karl. 3601002825
Staatliches Bauhaus Weimar 1919-1923 / hrsg.vom Staatlichen Bauhaus in Weimar und Karl Nierendorf; mit einem
Nachwort zur Reprintausgabe von Hans M.Wingler. : Kraus Reprint München 1980
N350 .V54 1990 Vigilante, Amy Ruth.
An examination of the effects of an aesthetic scanning teaching strategy on the art performances of select
sixth-grade students [microform]. UMI Ann Arbor, MI 1990
N350 .W55 1990 Wilson, Harry Ernest, Jr.
A role for representational styles in secondary at education [microform)
UMI Ann Arbor, MI 1990
N620.M9 S23 1991 Sadel, Charlotte Maria.
The museum of modern art's expansion project and museum tower [microform]: a study in the use of air-rights
UMI Ann Arbor, MI 1991
N5206 .B37 1992 Barter, Judith A.
The new medici [microform]: the rise of corporate collecting and uses of contemporary art, 1925-1970.
UMI Ann Arbor, MI 1992
N6425.N4 D84 1991 Duffy, Michael Hollowell.
Style and truth in the neoclassical art theory and criticism of Anton Raphael Mengs and Johann Winckelmann [microform].
UMI Ann Arbor, MI 1991
N6494.A8 G83 1990 Guagliumi, Arthur Robert.
Assemblage art [microform]: origins and sources.
UMI Ann Arbor, MI. 1990
N6512 .C66 1990 Connor, Celeste.
Visions and revisions of the American landscape : paintings and photographs of the Stieglitz Circle, 1924-1934 [microform].
UMI Ann Arbor, MI 1990
N6512 .D45 1990 Deitcher, S.David.
Teaching the late modern artist [microform]: from mnemonics to the technology of Gestalt. (Volumes I and II).
UMI Ann Arbor, MI 1990
N6512 .R66 1990 Roosa, Wayne Lloyd.
American art theory and criticism during the 1930s [microform]: Thomas Craven, George L.K.Morris, Stuart Davis.
UMI Ann Arbor, MI 1990
N6537.C4977 U63 1991 Upchurch, Diane Marie
Nineteenth century light and color theory [microform]: rainbow sciencein the art of Frederic Edwin Church
UMI Ann Arbor, MI 1991
N6537.K5 S43 1990 Sgan-Cohen, Michael Samue
Frederick Kiesler [microform]: artist, architect, visionary-a study of his work and writing.(Volumes I and II).
UMI Ann Arbor, MI 1990
N6537.K27 L44 1990 Lehnert, Pamela A.
An American happening [microform]: Allan Kaprow and a theory pf process art
UMI Ann Arbor, MI 1990
N6537.K53 S35 1990 Salus, Olivia Carol.
Four Martyr icons of R.B.Kitaj [microform]: an analysis of their pictorial narratives
UMI Ann Arbor, MI 1990
N6537.L453 A27 1991 Abrams, Catherine Moschou
History of art appropriation and the appropriated art works of Sherrie Levine [microform].
UMI Ann Arbor, MI 1991
N6537.O39 P48 1991 Peters, Sarah Whitaker.
Georgia O'Keefe and photography: her formative years, 1915-1930.(Volumes I and II) [microform].
UMI Ann Arbor,MI 1991
N6538.N5 T48 1990 Thomas, Floyd Robert, Jr.
Cultural conservation through the preservation of material culture-the representation of Black American artists in "Mainstream" museums [microform].
UMI Ann Arbor, MI 1990
N6767.5.P7 L38 1990 Lattie, Martha Lynne.
The Canvas vs. reality [microform]: the women in Pre-Raphaelite art.
UMI Ann Arbor, MI. 1990
N6853.D8 J66 1991 Jones, Amelia Gwen.
The fachion(ing) of Duchamp: autorship, gender, postmodernism [microform)
UMI Ann Arbor,MI 1991
N6868 .S33 1989 Schall, Janice Joan.
Rhythm and art in Germany, 1900-1930 [microform].
UMI Ann Arbor, MI 1989
N6888.B463 L38 1992 Lauf, Cornelia.
Joseph Beuys [microform]: the pedagogue as persona.
UMI Ann Arbor, MI 1992
N6888.K55 L44 Lees, Carol Anne.
Klee and Worringer [microform]: elective affinities in an aesthetic partnership
UMI Ann Arbor, MI
N6888.S42 N55 1990 Nill, Annegreth.
Decoding Merz [microform]: an interpretive study of KurtSchwitters' early work, 1918-1922
UMI Ann Arbor, MI 1990
N6923.C5 R35 1989 Rainbow-Vigourt, Marielle
The vision of Giorgio de Chirico in painting and writing [microform].
UMI Ann Arbor, MI 1989
N6953.R4 S43 1992 Small, Andrew Thomas.
Essays in self-portraiture [microform]: a comparative study of self-portraiture in the works of Rembrandt and Montaigne.
UMI Ann Arbor, MI 1992
N7153.F8 B76 1992 Brown, Glen Richard.
Historical discontinuity and Henry Fuseli's writings on art [microform)
UMI Ann Arbor, MI 1992
N7430.5 .C43 1991 Champion, Rasalinda A.
The creation of visual expression [microform].
UMI Ann Arbor, MI 1991
N7430.5 .C73 1990 Crary, Jonathan Knight.
Modernity and the formation of the observer, 1810-1845 [microform].
UMI Ann Arbor, MI 1990
N7430.5 .W55 1992 Wild, Patricia Susan.
An investigation of the cognitive components of the art-making process [microform]: a typology of thinking skills
UMI Ann Arbor, MI. 1992
N7433.8 .H88 1990 Hutchinson, Leonard Carte
Toward an aesthetic paradigm encompassing computer art [microform]: a descriptive analysis of artwork and attitudes in a university setting.
UMI Ann Arbor, MI. 1990
N7477 .B68 1991 Bourgeois, Gail.
"Susurration" [microform]: from the visual production to written word.
UMI Ann Arbor, MI. 1991
N7477 .U58 1991 Unutzer-Bohr, Christiane
Search into life. (Original artwork) [microform].
UMI Ann Arbor, MI 1991
N7483.B47 C36 1992 Calo, Mary Ann. Bernard Berenson, modern art and modern criticism [microform]. UMI Ann Arbor, MI 1992
N7483.R8 P39 1991 Payne, Elizabeth Eaddy.
John Ruskin's romantic idealism and its influence on early arts and crafts institutions in the Southern Appalachians [microform].
UMI Ann Arbor, MI 1991
N7760 .A76 1990 Armantrout, George Lloyd.
The seven against Thebes in Greek art [microform].
UMI Ann Arbor, MI 1990
N7850 .S53 1990 Siber, Elizabeth Gaye.
The visual arts philosophy of Roman Catholicism as manifested in the works of four commissioned artists completed for the 1987 sanctuary of St.Rita's Catholic Church [microform].
UMI Ann Arbor, MI 1990
N7927 .S36 1992 Scott, Nadine Althea Thed
Fine art as an expression of religion in the Jamaican culture [microform)
UMI Ann Arbor, MI 1992
N8354 .A43 1992 Albury, Roxanna Joy.
A comparative study of successful women artists and artistically gifted female art students [microform].
UMI Ann Arbor, MI 1992
N8558 .A652 1985 England, Pamela A. 0878462554
Application of science in examination of works of art : proceedings of the seminar, September 7-9, 1983 / editors, Pamela A. England and Lambertus van Zelst.
Research Laboratory, Museum of Boston, Mass. 1985
N8561.C2 C48 1992 Chiles, Lucylee.
Connoisseurship made accessible [microform]: an analysis of procedures for looking at art for the purpose of authentication.
UMI Ann Arbor, MI. 1992
N8750 .K46 1990 Kennedy, C. Barrett.
Future past [microform]: integrated preservation information systems.
UMI Ann Arbor, MI 1990
N8838 .C37 1991 Carlton-Smith, Kimn.
A new deal for women [microform]: women artists and the Federal Art Project, 1935-1939.
UMI Ann Arbor, MI 1991
NA105 .G76 1990 Gromlich, Bonnie Flanagan
Design guidelines for historic districts [microform].
UMI Ann Arbor, MI 1990
NA203 .E4 1991 El Kholy, Suzan M.
Time and architecture [microform]: problems of duration and sequence in architectural design
UMI Ann Arbor, MI 1991
NA312 .P23 1997 Packer, James E. 0520074939
The Forum of Trajan in Rome : a study of the monuments / James E. Packer ; architectural reconstructions by Kevin Lee Sarring and James E. Packer.
University of California Press Berkeley 1997
NA380 .H86 1990 Hunter, Teresa Irene.
The concept of center as a cultural manifestation of Islamic ideals as translated into architecture [microform].
UMI Ann Arbor, MI. 1990
NA680 .S45 1990 Seiberlich, Lawrence Jame
The future of architecture [microform]: product, practice, preparation, public issue.
UMI Ann Arbor, MI 1990
NA737.K32 R44 1990 Reed, Peter Shedd.
Toward form [microform]: Louis I.Kahn's urban designs for Philaladelphia, 1939-1962
UMI Ann Arbor, MI 1990
NA1364 .N35 1989 Nalbantoğlu, Gülsüm Bayda
The professionalization of the Ottoman-Turkish architect [microform].
UMI Ann Arbor, MI 1989
NA1365 .H35 1992 Hakky, Rafee.
The Ottoman kulliye between tthe 14th and 17th centuries [microform]:
UMI Ann Arbor, MI 1992
NA1465 .C75 1990 Crinson, Mark.
Victorian architects and the Near East [microform]: studies in colonial architecture, architectural theory and orientalism, 1840-1870.
UMI Ann Arbo, MI 1990
NA1502 .L6 Lochner, Sonia Wanda.
Ruins of power [microform]: picturesque portraits of Sultanate architecture.
UMI Ann Arbor, MI
NA1996.5 .L37 1989 Laplante, Marc.
The impact of computers in architectural practice [microform].
UMI Ann Arbor, MI 1989
NA2000 .J66 1989 Jones, Michael Anthony.
Models for educating architects in this century and the next [microform)
UMI Ann Arbor, MI 1989
NA2005 .W46 1992 Wendler, Walter Victor, J
Studio pedagogy [microform]: the social construction of design life space through the analysis of dyadic discourse.
UMI Ann Arbor, MI. 1992
NA2500 .B45 1991 Biln, John.
Topos and choros [microform]: aspects of material space and social subjectivity in architecture
UMI Ann Arbor, MI 1991
NA2500 .B84 1992 Buechi, Georg
Interpreting buildings as interpretations [microform]: towards a hermeneutics of building.
UMI Ann Arbor, MI 1992
NA2540 .B622 1982 Bishop, R.
The perception and importance of time in architecture [microform]
Surrey University Guildford, Surr 1982
NA2540 .C45 1991 Chiu, Mao-Lin.
Office investment decision-making and building performance [microform]
UMI Ann Arbor, MI 1991
NA2540 .K57 1992 Kirk, Stephen Jarome.
Improved design decision-making using small group value engineering gaming/simulation [microform].
UMI Ann Arbor, MI 1992
NA2542.35 .D69 1990 Downing, Frances Eileen.
Image banks [microform]: the purpose, function, and meaning of environmental imagery for architectural designers.
UMI Ann Arbor, MI. 1990
NA2542.35 .O4 1992 Oh, Kyushik.
An appraisal of computer-based visual simulation methods for the analysis of designed environment [microform].
UMI Ann Arbor, MI 1992
NA2599.5 .O54 1990 Öngüç, Filiz.
A ground for potential architectural critical interpretation and representation of place [microform].
UMI Ann Arbor, MI 1990
NA2728 .C45 1992 Chinowsky, Paul Scott.
The CAADIE project [microform]: applying knowledge-based paradigms of architectural layout generation
UMI Ann Arbor, MI 1992
NA2728 .P37 1992 Papamichael, Konstantinos
Design process and knowledge possibilities and limitations of computeraided design [microorm].
UMI Ann Arbor, MI 1992
NA2728 .Q33 1992 Quadrel, Richard W.
Asynchronous design environments [microform]: architecture and behavior.
UMI Ann Arbor, MI 1992
NA2728 .S25 1991 Sakr, Yasser Hosni.
Design in the age of information [microform]: the impact of computers on the practice of architectural design.
UMI Ann Arbor, MI 1991
NA2728 .S55 1991 Shih, Naai-Jung.
Computer-aided path-finding for building design [microform].
UMI Ann Arbor, MI 1991
NA2750 .B39 1992 Baykan, Can Ahmet.
Formulating spatial layout as a disjunctive constraint satisfaction problem [microform].
UMI Ann Arbor, MI. 1992
NA2750 .C43 1991 Chan, Chiu-Shui.
Psychology of style in design [microforom].
UMI Ann Arbor, MI 1991
NA2750 .C68 1992 Cote, Pierre Emile
Vector field representation for concurrent evaluation of architectural design variables [microform].
UMI Ann Arbor, MI 1992
NA2750 .F74 1990 Frewald, Dori Beth.
Preferences for older buildings [microform]: a psychological approach to architectural design
UMI Ann Arbor, MI 1990
NA2750 .F74 1992 Frederickson, Mark Paul,
Design juries: a study in lines of communication [microform].
UMI Ann Arbor, MI 1992
NA2750 .V47 1991 Verma, Niraj.
Similarity and creativity in design [microform].
UMI Ann Arbor, MI 1991
NA2794 .L68 1991 Love, James Andrew.
The vertical-to-horizontal illuminance ratio [microform]: development of a new indicator of daylighting performance.
UMI Ann Arbor, MI 1991
NA2794 .P48 1990 Peters, Patrick A.
An analysis of daylighting in the works of Alvar Aalto and Louis I.Kahn [microform].
UMI Ann Arbor, MI 1990
NA3770 .S36 1992 Schmelzeisen, Klaus, 3631449372
Römische Mosaiken der Africa Proconsularis : Studien zu Ornamenten, Datierungen und Werkstatten
P. Lang Frankfurt am Ma 1992
NA4425.S33 A47 1992 Al-Saleem, Yousef Abdulla
Evaluating the performance of government office buildings from the user's perspective [microform]: a case study of the ministry of foreign affairs headquarters building in Saudi Arabia.
UMI Ann Arbor, MI 1992
NA5998.S26 M37 1991 Marefat, Roya.
Beyond the architecture of death [microform]: the shrine of the Shah-I Zinda in Samarqand.
UMI Ann Arbor, MI 1991
NA6218 .S33 1991 Schaule, Petra.
From the arcade to the shopping mall [microform]: the transformation of public space
UMI Ann Arbor, MI 1991
NA6218 .Y66 1992 Yoo, Shin-Young.
Architectural legibility of shopping centers [microform]: simulation and evaluation of floor plan configurations
UMI Ann Arbor, MI 1992
NA6232 .L44 1991 Lee, Hyunwoo.
Determination of office building shapes for the optimization of thermal conditioning and daylighting [microform]. UMI Ann Arbor, MI. 1991
NA6695 .C49 1992 Choi, Yoon Kyung.
The spatial structure of exploration and encounter in museum layouts [microform].
UMI Ann Arbor, MI 1992
NA7125 .B34 1990 Baharoon, Walid A. M.
Architect-user communication process through the use of computers in multi-unit housing design [microform].
UMI Ann Arbor, MI. 1990
NA7860 .K69 Kozlowski, Radoslaw.
The adaptable apartment [microform]: a search for design methods and criteria.
UMI Ann Arbor, MI
NA8330 .M33 1990 McCalley, Michael Shawn.
Meeting kitchen space planning needs in single-family, detached modular houses [microform].
UMI Ann Arbor, MI 1990
NA8460 .M66 1992 Montarzino, Alicia.
Fantastic architecture revisited [microform]: towards a unified approach to the fantastic in the built environment
UMI Ann Arbor, MI. 1992
NA9031 .B87 Burk, Thomas.
A critical evaluation of holistic concepts for urban structures [microform].
UMI Ann Arbor, MI
NA9031 .J64 1991 Johnson, Virginia Wilson.
Architectural correlates of privacy [microform]: the dynamics of privacy regulation.
UMI Ann Arbor, MI. 1991
NA9031 .N45 1990 Neis, Hans Joachim.
City building [microform]: models for the formation of larger urban wholes.
UMI Ann Arbor, MI 1990
NA9052 .A77 1989 Attia Al-Izzi, Zuhair Hat
Contextualism [microform]: fitting new buildings to their surroundings
UMI Ann Arbor, MI. 1989
NB1142.5 .G73 1990 Granovsky, Tamar.
"Learning to Breathe" [microform]: a written accompaniment to the thesis exhibition
UMI Ann Arbor, MI 1990
NB1280 .O99 1992 Özyar, Aslı.
Architectural relief sculpture at Karkamish, Malatya, and Tell Halaf [microform] : a technical and iconographic study.
UMI Ann Arbor, MI 1992
NB1930 .M88 1992 Muthig, Sandra Lee.
What if the sum of the parts were directly related to the whole? [microform].
UMI Ann Arbor, MI. 1992
NB1930 .R53 1991 Richolson, Dorothy M.
Figures and fragments. (Original sculpture) [microform].
UMI Ann Arbor, MI 1991
NC655 .D65 1990 Doke, Lesa Leola.
The synthesis of painting and drawing [microform].
UMI Ann Arbor, MI 1990
NC703 .C53 1991 Ciaston, Andrea.
Trace [microform]: an index of serial process in drawing.
UMI Ann Arbor, MI. 1991
NC765 .S66 1991 Song, Charng-Yuan.
Essential line of the human figure. (Original drawings) [microform].
UMI Ann Arbor, MI 1991
NC997 .A48 1991 Alvey, Patricia Ann.
Computer imaging and the creative process of design [microform]: an exploratory investigation.
UMI Ann Arbor, MI. 1991
NC997 .M34 1990 Magruder, Ralph Clark.
Examining the functions of graphics/art work in literary magazines [microform].
UMI Ann Arbor, MI 1990
ND196.A2 K56 1990 Kindler, Anna M.
The effects of development, sorting strategy, and visual structure on the classification of nonobjective paintings [microform].
UMI Ann Arbor, MI. 1990
ND196.A2 K561 1991 Kim, Wha Kyung.
Ambiguity in painting [microform]: (original paintings).
UMI Ann Arbor, MI. 1991
ND196.S8 S64 1991 Smrekar, ANdrej.
Surrealism and painting [microform]: representations in theory and criticism in Paris, 1925-1928.
UMI Ann Arbor, MI 1991
ND210 .M37 1992 McQuade, Caitlin.
The depiction of social space in "Childish thoughts" [microform]: a material cultural analysis of a painting
UMI Ann Arbor, MI 1992
ND237.D334 C38 1992 Cateforis, David Christos
Willem de Kooning's "Women" of the 1950s [microform]: a critical history of their reception and interpretation
UMI Ann Arbor, MI 1992
ND237.E15 K56 1990 Kimmerle, Constance.
Thomas Eakin's exploration of the mechanism and laws of human expression and understanding in themes of mental effort and creative activity [microform].
UMI Ann Arbor, MI 1990
ND237.P73 H43 1991 Healey, Jane Frances.
Painting Pollock [microform]: the creation of a cultural hero in post-World War II America.
UMI Ann Arbor, MI 1991
ND237.S8 C74 1990 Crean, Hugh R.
Gilbert Stuart and the politics of fine arts patronage in Ireland, 1787-1793 [microform]: a social and cultural study.
UMI Ann Arbor, MI 1990
ND511.5.K55 H45 1991 Heintzman, Rebecca Martin
Gustav Klimt [microform]: a psycho-historical portrait of the man and his work based on the psychology of Carl G.Jung and the theory of the collective unconscious.
UMI Ann Arbor, MI 1991
ND553.P8 C43 Challons, Siu.
Nicolas Poussin's the four seasons [microform].
UMI Ann Arbor, MI
ND623.N53 V38 1990 Vatne, Diane.
Andrea di Niccolo, c.1445-c.1525 [microform]: Sienese painter of the Renaissance.
UMI Ann Arbor, MI 1990
ND623.P548 B76 1991 Brooks, Perry Boles.
Ut pictura mathesis [microform]: studies in the art of Piero della Francesca.
UMI Ann Arbor, MI 1991
ND623.T24 A4 1991 Solberg, Gail E.
Taddeo di Bartolo [microform]: his life and work.
UMI Ann Arbor, MI 1991
ND653.G7 M39 1991 Mazzone, Marian.
Van Gogh and the Dutch tradition [microform]: mapping the countryside of Arles
UMI Ann Arbor, MI 1991
ND773.M8 B47 1990 Berman, Patricia Gray.
Monumentality and historicism in Edvard Munch's University Oslo Festival Hall paintings [microform].
UMI Ann Arbor, MI 1990
ND813.T3 B67 1990 Borja, Manuel Jose.
Antoni Tapies [microform]: the "Matter Paintings".(Volumes I and II).
UMI Ann Arbor, MI 1990
ND1026 .W75 1992 Wright, Astri,
Soul, spirit and mountain [microform]: preoccupations of contemporary Indonesian painters.
UMI Ann Arbor, MI 1992
ND1046.T5 S56 1992 Singer, Jane Caseyh.
Early painting in Tibet [microform].
UMI Ann Arbor, MI 1992
ND1059.K13 I56 1990 Inoue, Mariko.
Transformation of female image in the paintings of Kaburaki Kiyokata (1878-1972) and Kobayashi Kokei (1883-1957) [microform].
UMI Ann Arbor, MI 1990
ND1140 .B53 1991 Bickley-Green, Cynthia An
Afterimage in painting [microform].
UMI Ann Arbor, MI. 1991
ND1140 .V66 1991 Von Mattyasovszky-Lates,
Stoics and libertines [microform]: philosophical themes in the art of Caravaggio, Poussin, and their contemporaries.
UMI Ann Arbor, MI 1991
ND1142 .D66 1990 Dominguez, Paul R.
The "R" group. (Original artwork) [microform].
UMI Ann Arbor, MI 1990
ND1145 .B47 1991 Bersaglieri, Andrea Lee.
Field studies. (Original paintings) [microform].
UMI Ann Arbor, MI 1991
ND1145 .D4 1991 De Grazia, Racheline Deni
Objective/Subjective. (Original paintings) [microform].
UMI Ann Arbor, MI 1991
ND1145 .H67 1992 Horowitz, Gregg M.
Looking at pictures: appearance and subjectivity in mimetic representation [microform].
UMI Ann Arbor, MI 1992
ND1145 .S84 1992 Stepanian, Alysse.
View to a conflict [microform].
UMI Ann Arbor, MI 1992
ND1290 .M46 1989 Menser, Chantal Anne.
Internal/External--of personal concern. [Original artwork] [microform]
UMI Ann Arbor, MI. 1989
ND1293.F7 P58 1992 Plogsterth, Ann Rose.
The institution of the royal mistress and the iconography of nude portraiture in sixteenth century France [microform].
UMI Ann Arbor, MI 1992
ND1300 .C47 1989 Christensen, Anna Katrina
Stars in a midnight sky. [Original artwork] [microform].
UMI Ann Arbor, MI. 1989
ND1309.2 .Z87 1990 Zurcher, Rita Clara.
A renaissance portrait in the J. Paul Getty Museum, Malibu [microform]
UMI Ann Arbor, MI 1990
ND1311.2 .R63 1992 Roark, Elisabeth Louise.
Artist as subject [microform]: images of artists in American painting, 1830-1860.
UMI Ann Arbor, MI. 1992
ND1420 .R84 1990 Ruhe, Barnaby Sieger.
The artist as Shaman [microform]: improvisation in the work of selected 1980s expressionist painters
UMI Ann Arbor, MI 1990
ND1431.6 .N43 1991 Negri, Patrick
Signs of being [microform]: a study of the religious significance of the art of Barnett Newman, Jackson Pollock, and Mark Rothko.
UMI Ann Arbor, MI 1991
ND1484 .L45 1991 Leland, Harriet Gerstner.
A triad study [microform]: a procedure to measure light values with direct application toward creative production and a catalogue.
UMI Ann Arbor, MI. 1991
ND1484 .S45 1991 Smith, Cathy Sue.
Color and its relationship to space and form [microform].
UMI Ann Arbor, MI 1991
ND1489 .J66 1991 Jones, Katherine Marie Ka
The emergence of spirit and energy through color [microform].
UMI Ann Arbor, MI. 1991
ND1500 .R53 1992 Richards, Isabelle Margar
Growth of a painter through examination of an earlier era [microform].
UMI Ann Arbor, MI 1992
ND2420 .R46 1991 Renn, Jing-Vei.
A study of presenting motion, emotional movement in watercolor [microform]: the process of ideas and techniques develop.
UMI Ann Arbor, MI 1991
ND2728 .D38 1982 Davey, Norman, 0907764150
Wall-painting in Roman Britain by Norman Davey and Roger Ling.
Society for the Promotion of R London 1982
ND3399.H26 G7 1984 Graber, Oleg. 0226690571
The illustrations of the maqamat.
Chicago University London 1984
NK2113 .S36 1990 Scott, Suzanne Benedict.
Preference, mystery and visual attributes of interiors [microform]: a study of relationships
UMI Ann Arbor, MI 1990
NK2115.5.C6 J64 1992 Johnson, Eleanor Lu.
Color theory and its application to interior design [microform].
UMI Ann Arbor, MI 1992
NK2115.5.L5 H44 1992 Hegde-Niezgoda, Asha Lath
Assessment of perceptions of design educators and professionals regarding lighting concepts for design education [microform].
UMI Ann Arbor, MI. 1992
NK2116 .B35 1989 Baker, Iris J.
Entry level competencies and attributes needed by interior design graduates [microform]: a survey of top interior design firms.
UMI Ann Arbor, MI. 1989
NK2703 .M33 1990 MacNeil, Christopher Bruc
Image transformed [microform].
UMI Ann Arbor, MI 1990
NK4008 .A27 1990 Abrahamson, Kristen.
"Personal mythologies" a written accompaniment to the thesis exhibition [microform].
UMI Ann Arbor, MI 1990
NX22 .P45 1992 Peluso, Robert John.
Incorporating cultural practice [microform]: the orrigin and meaning of a National Institute and an American Academy Arts and Letters.
UMI Ann Arbor, MI 1992
NX165 .B76 1991 Brown, Diane Sharon.
The unfinished in art [microform]: nine case studies.
UMI Ann Arbor, MI. 1991
NX175 .B26 1992 Bao, Yuheng.
The silent poetry and the invisible painting [microform]: a concept of relationship between painting and poetry as seen in analysis of selected writing and works by Leonardo da Vinci and Su Tung-po.
UMI Ann Arbor, MI. 1992
NX180.C45 T48 1991 Thunder-McGuire, Sean Ste
Narrative accounts of children's artists' bookmaking [microform].
UMI Ann Arbor, MI. 1991
NX180.M3 T46 1991 Thorp, Earl David.
Iconographia: reckoning with artistic, literary, and media relations [microform].
UMI Ann Arbor,MI 1991
NX180.S6 H66 1991 Hooks, Eleanor.
The experience of the transfer of cultural meaning in visual arts [microform].
UMI Ann Arbor, MI. 1991
NX180.T4 R88 1992 Rutsky, R. L.
High 'techne' [microform]: technology and art in modernity and beyond.
UMI Ann Arbor, MI 1992
NX280 .C35 1992 Caldwell, Barbara Anne.
An interdisciplinary arts dialogue [microform]: talented students' interests, Attitudes, and perceptions of the Illinois Summer School for the Arts, 1990.
UMI Ann Arbor, MI. 1992
NX504 .J66 1992 Jones, Caroline A.
Machine in the studio [microform]: changing constructions of the American artist, 1945-1968. (Volumes I and II).
UMI Ann Arbor, MI 1992
NX456 .K85 1992 Kwinter, Sanford Noah.
Immanence and event in early modernist culture [microform].
UMI Ann Arbor, MI. 1992
NX456.5.M64 D4 1991 De Gerzso, Maria Herrera.
Art and modernity [microform]: a critique of contemporary aesthetic theory.
UMI Ann Arbor, MI 1991
NX503 .M38 1991 McLellan, John C. 0315703822
Imagine this! [microform]: a metaphysical history of American popular art.
UMI Ann Arbor, MI 1991
NX504 .L38 1992 Later, Genevieve Mary.
Irresistible myth [microform]: originality in the contemporary America arts.
UMI Ann Arbor, MI. 1992
NX504 .Y36 1991 Yang, Hye-Sun.
Toward a technological imagination [microform]: avant-garde, technology, and the creation of an American art.
UMI Ann Arbor, MI. 1991
NX512.M67 B47 1991 Berger, Maurice.
The politics of experience: Robert Morris, minimalism, and the 1960 [microform].
UMI Ann Arbor, MI 1991
NX543.A1 H66 1990 Hood, Eugene M., Jr.,
Bloomsbury literature and painting [microform]: aesthetic corresponden
UMI Ann Arbor, MI 1990
NX543 .D86 1992 Dunn, John Michael.
From idea to ideal [microform]: transformations in British aesthetics, 1660-1790.
UMI Ann Arbor, MI 1992
NX549.A1 C66 1992 Cook, Pamela Margaret.
Perspectives in realistic representation [microform].
UMI Ann Arbor, MI. 1992
NX556.A1 D33 1990 Dabrowski, Magdalena.
The Russian contribution to modernism [microform]: "Construction" as realization of innovative aesthetic concepts of the Russian avant-garde (Volumes I and II).
UMI Ann Arbor, MI 1990
NX600.P47 B53 1992 Bickerton, Jane Elizabeth
Performance art and video [microform]: the aesthetics of a fragmented and unified image in "Collected Videos" (1990) by Laurie Anderson and "Stations" (1982) for television by Robert Wilson.
UMI Ann Arbor, MI 1992
NX600.P47 L56 1991 Lindsay, Arturo Wesley.
Performance art ritual as postmodern thought [microform]: an aesthetic investigation.
UMI Ann Arbor, MI 1991
NX600.P66 V38 1990 Vaughn, Edward Jeffrey.
America's pop collector [microform]: Robbert C.Scull; contemporary art at auction
UMI Ann Arbor, MI 1990
NX650.R4 W67 1990 Wortz, Melinda Farris.
Radical emptiness [microform]: the spiritual experience in contemporary art.
UMI Ann Arbor, MI 1990
NX650.S8 R56 1991 Rinne, Henry Q.
Concepts of time and space in selected works of jazz improvisation and painting [microform].
UMI Ann Arbor, MI. 1991
NX730 .S55 1990 Skiles, Jacqueline Dean.
Cultural policy and social tradition [microform]: the impact of bureaucratization of support on the production and experience of art in the United States.
UMI Ann Arbor, MI 1990